Avolites Delivers ‘Full Creative Control’ for Gary Numan UK Tour

Courtesy of Luke Edwards

Electropop pioneer Gary Numan has completed a critically-acclaimed UK tour, with lighting designer Luke Edwards of Cue Design selecting the compact yet versatile Tiger Touch II to control the show’s stand-out visuals.

“All my Gary Numan shows are very dynamic,” said Edwards. “I find Avolites products allow me to achieve that very easily. The Tiger Touch II’s intuitive functionality meant I could create a high-impact show with minimal programming time.”

Despite touring to some of the country’s more intimate venues such as Nottingham’s Rock City and Bristol’s Motion nightclub, Edwards did not hold back in creating a series of huge, high-energy looks. To get the most out of his rig, which focused on Martin MAC Aura XB, Ayrton Magic Blade and Robe Pointe fixtures, the designer drew on the updated features of Avolites’ latest Titan version 10 software. The full lighting package including the Tiger Touch II was supplied by TSL Lighting.

“The Pixel Mapper allowed me to use the fixtures in a unique way, especially the Magic Blades which were positioned at the back of the stage on uprights,” he explained. “Instead of using the inbuilt macros I had full control to create some fantastic effects.”

Titan v10’s hugely popular Key Frame Shapes feature also proved crucial for creating looks quickly. Edwards commented that instead of having to create time-consuming chases, he was able to use Key Frame Shapes to produce the same effect in under eight button pushes.

“Key Frame Shapes offers me more advanced control – I was able to define every little detail of the shapes I created,” he added. “Even though Gary Numan is a full-on visual experience, the little details make all the difference and Key Frame Shapes really helped with this.”

Updated in version 10 to offer new directions (including random), Key Frame Shapes allows designers to create spectacular effects from scratch. Using palettes or the programmer to define the frames, and powerful tools such as transition curves, phase and spatial direction, it is possible to create radically different looks for each channel in seconds.

“It’s always a pleasure working with Gary,” concluded Edwards. “He hands over full creative control and that freedom, combined with the infinite creative possibilities offered by Avolites, really gets the creative juices flowing and helps make it the great show that it is.”