High Frequency Productions Go Rogue for Wub Step Livestream

High Frequency Productions provides CHAUVET Professional fixtures to The Wub Step Livestream.

The Wub Step Livestream, which took place 4 May, had all the hallmarks of a traditional EDM gig – sizzling video walls, a thunderous sound system and expansive lighting rig, which included CHAUVET Professional fixtures. Juan Ocampo, the owner of High Frequency Productions, where the EDM stream took place, would have it no other way.

Ocampo teamed up with Wub Life Entertainment, a Chicago area company that does dubstep, house and EDM shows, to create what has become weekly livestreams. The idea began in late April. “We’ve been working together for the past four years, so we’re familiar with collaborating,” said Ocampo. “This is something we started doing to keep sane during this period.”

High Frequency contributes the facility and all the gear for the online shows, which are streamed on Twitch.tv and Facebook, while Wub Life provides the performers, a group, that, on one May night, included popular Chicagoland acts Wolfbiter, Porn and Chicken, and Migz.

LD Aaron Clair, and VJ Barry Sessons ran the power-packed rig that High Frequency furnished. Clair made ample use of the lighting rig’s potent output, sending blinding patterns of beams in every direction, punctuating his show with flashes to the beat of the music, and, at times, seeming to turn every one of his fixtures into a giant blinder. All the while, the lights flowed seamless with the bold, engaging video panel displays.

“We tried not to hold anything back just because this was a livestream coming out of a warehouse,” said Ocampo. “Our goal was to deliver the intensity that you’d find at a great club show. The Rogue R2 Washes in our rig played a big part in creating these looks. We used them behind the DJ booth to create a glow around the artists. Our LD also relies on their built-in macros to create some cool upstage effects that add some important dimensionality to the show when seen on a screen.

Looking back at his early livestream efforts, Ocampo said that he underestimated the spatial needs of the production. “The first shows were all put together fairly quickly with little time to tweak,” he said. “By the time setup, we realised we needed more space so we went bigger!”

Fortunately, more space was available in the High Frequency Productions warehouse – and the result has been a series of livestream shows that blow past expectations with their size, scope, and intensity.