How did you break into the sector?
“After graduation, I took a job doing logistics for an AV production company, which helped me develop an understanding of the technical side of live events. I later decided to go freelance. My first job was a corporate awards show, and not long after, I shadowed some friends at Goldsmiths Students’ Union who taught me how to busk lighting on a ChamSys MQ50. I also learned the basics of touring with 3T. However, just a couple of weeks later, I tore the MCL in my knee during a show – only a month after I’d started doing lights. After a few months of recovery and physiotherapy, I began a shadow shift at Night Tales in Hackney in February 2024, busking shows for Hot Chip and Jarvis Cocker. I’ve been working as one of their house technicians ever since, as well as at their sister venue, NTS Loft, lighting some amazing DJs.
“The Lexington also gave me the opportunity to shadow their in-house lighting technicians, which really helped me develop my skills, working with artists like Geordie Greep, SISTRA, and Silver Twin, among others. Most recently, I was invited to help with the rig for You Me Bum Bum Train with Christie Lites, setting up stage and domestic lighting as a volunteer lighting technician.”
Tell us about your recent collaboration with Limehouse Town Hall…
“I met Sam Valiant at Limehouse Town Hall for Liberation laser training in 2024 and I have been working as their house lighting designer ever since. I immediately felt welcomed there and accepted as a disabled neurodivergent queer person, and I have been given the creative freedom, space and time to gain new technical skills including rigging. Being a community first organisation, I’ve repaired a lot of donated 20-year old moving heads and scanners for our annual Party Utility event, which takes place every February. As well as gaining skills, I’ve been able to pass my knowledge and skills on to Sam and other volunteers at Limehouse Town Hall. In return, I’ve brought up the production value for their events and brought enthusiasm to their technical team which then in turn has created a lot of joy and excitement for their future shows.”
What advice would you give to others?
“Reach out to your friends, the 3T crew, and Production Futures. Don’t be afraid to ask questions or seek advice and help. The scariest part of going freelance is thinking you’re alone, but you’re not. And it’s so important to advocate for yourself and your access needs.”
Where would you like to see yourself five years from now?
“I’d love to be operating in live music and festivals. Right now, I’m working on a design for the Basket of Light Festival. I really enjoy creating or enhancing the atmosphere of an entire festival site. I’ve also started learning laser design with Seb Lee and Abby Shum, who are developing a new software called Liberation – it could open exciting new creative paths. Ideally, I’d like to be part of a team that’s genuinely passionate about their craft. I like to stay fluid and see where the journey takes me.”
