Working alongside Lighting Director Darien Koop, Routhier was able to build up a scheme that would make the most of Devlin’s impressive design. “We collaborated pretty heavily with Es, because we wanted to make sure that her vision was met properly,” she said. “A lot of it was trying to find a less conventional way to light a pop or rock show … a way that our lighting would actually become part of the scenic as opposed to simply lighting the scenic.”
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Photos courtesy of Plaster Communications
