Dan Michie deploys compact CHAUVET Professional package for Beartooth

Photo: Ben Zucker

Beartooth’s 37-city tour has included a wildly mixed bag of shows as they’ve moved from headlining their own appearances, to supporting bands like Breaking Benjamin and Disturbed, with a healthy sprinkling of festivals thrown in. “It was just kind of all over the place on this run,” commented Lighting Designer, Dan Michie. “This made it critical to have a floor package that was not only very versatile but could also be set up and torn down fast.”

Michie got what he wanted with a rig from Squeek Lights that featured a collection of CHAUVET Professional fixtures. “The Squeek rig was so great for what we had to do,” he explained. “It could be set up and torn down, and offstage in a matter of minutes. The first time we used this rig as a supporting act; the headliner’s crew was shocked at how fast we got off the deck. The fixtures themselves played a big part in the speed of the transition, since they’re all fairly lightweight and can be moved easily, yet they still pack a punch.”

Among those fixtures were eight Maverick Force S Spots, which Michie positioned two apiece of four carts arranged in a straight line in his timecoded show. Drawing on the fixture’s wide 4° to 43° zoom range and customised gobos. At times he covered a tightly defined area with gobos, while at others he immersed band members in his patterns.

“I’m a big fan of gobos and the patterns they create,” added Michie. “I play around with having different fixtures set to different zooms and gobo speeds to give the illusion of depth, trying to make even the tiny venues look like an arena show, and adding an intriguing quality to any stage regardless of size.”

With 14 Rogue R1 BeamWashes in his compact rig, Michie was able to create a wide palette of redolent hues. He positioned BeamWashes between each set of Force S fixtures, as well as having one below the deck, two on the downstage corners of the drum risers, and two on each corner of the stage for side lighting.

“The colours really evoked emotions,” he said. “A great example is in Beartooth’s newest song ‘Sunshine.’ The song is a super happy and positive with lots of yellows, and then it immediately goes into a dark and angry breakdown that is all reds and whites.”