Brantley Gilbert’s Tour Hits the Road with Clay Paky Scenius

Howard Jones and Nate Alves, who co-designed the lighting for Brantley Gilbert’s Black Out World Tour, have selected an array of Clay Paky fixtures – including the new Scenius moving head spotlight and grandMA2 consoles for the current leg of the arena tour. A.C.T Lighting is the exclusive distributor of Clay Paky and MA Lighting brands in North America.

Gilbert, the country rock singer and songwriter, kicked off the US and Canada leg of the Black Out World Tour playing to capacity crowds in Saginaw, Michigan. After the tour wraps this spring Gilbert will take a breather before launching the Take It Outside summer tour. The current lighting rig will be reprised for the summer tour.

“I’ve been with Brantley since early in his career, and he gives DCR a lot of latitude in designing his shows,” said Howard Jones, president of DCR. “We oversee everything from overall show design to video content creation even down to the graphic design for the tours’ trailer wraps. When we designed the truss for all three tours we tried to touch on iconic symbols for Brantley. The truss needs to be part of the design, not just hang lights,” he explained. “We touched on his bad boy image with the brass knuckles rig for his first tour, then the rebel flag theme for Let It Ride. This tour has a motorcycle theme with the handlebars and headlight downstage and the curved main body contouring the gas tank. The fixtures we chose brought the truss to life.”

“The idea is to bring Brantley inside an environmental space and remove him from the arena,” said Alves. “We wanted to keep the show energetic, very rock ’n roll, and it looks bigger than the budget allows. We knew the number of trucks production wanted, and the production budget for the tour was fixed. So using fixtures that did more than one job was important to us. The fixtures we selected are versatile across their range. People tell us it looks like we used a lot more gear than we actually carry.”

An early adopter of new products, Jones was eager to deploy DCR’s inventory of Clay Paky Scenius fixtures on this tour. “We are among the first companies in the US to offer Scenius, which gives us an advantage,” he said. “Anybody can join the party later, but being early adopters sets DCR apart.”

Jones and Alves distributed 16 Scenius fixtures throughout the main body of the truss and placed 15 more in the downstage truss. “We use them as the primary front light for everyone except Brantley,” Alves explained. “Scenius has a great flat field and an amazing colour temperature out of the box. I’m really impressed by it.”

Scenius is a moving head spotlight at the top of the Clay Paky range. Its advanced optical unit and new 1,400W OSRAM discharge lamp provide a much higher light output than with previous generation 1,500W lamps. Scenius is known for its white light and colour reproduction fidelity; its very high CRI is extremely unusual for a metal halide light source. Colours cover a broad spectrum, even including pastel shades; two rotating gobo wheels, a rotating prism and interchangeable graphics wheel generate new effects. The fixture can also be used in wash mode by inserting a newly-designed frost filter.

The lighting designers also have 34 Clay Paky Mythos fixtures in the finger trusses over the stage. “Mythos has really established itself in the industry,” Jones noted. “For a show this size it gives us great flexibility as we switch between spot and beam modes.”

13 Clay Paky Stormy Strobes are making their tour debut. Eight colour fixtures are on the main body of the truss; five regular Stormys are on the downstage truss. “We use them for their strobe effects, colour toning and as full-on audience lights,” said Jones.

DCR’s entire rental console inventory consists of MA products, Jones said. “They are extremely reliable and accepted everywhere.” For the Black Out World Tour he and Alves run two grandMA2 Lights networked together to control the lighting and video elements.

Alves, who programmed the show, has been driving grandMA2 consoles for a decade. “They’re my desk of choice,” he declared. “I prevised the show on MA 3D from hotel rooms while I was traveling. When I showed up to start rehearsals I was almost completely done.”