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VOID ACCOUSTICS
Manufacturer
Focusing on designs with a high sonic and visual impact, Poole-based Void Acoustics creates the maximum results with the minimum number of enclosures.
Void’s Air Series includes the company’s signature design, the triple-horn Air Motion system with its 12", 8" and 1.5" transducers, each loaded by a separate isometric conical horn.
Focusing on designs with a high sonic and visual impact, Poole-based Void Acoustics creates the maximum results with the minimum number of enclosures. Void’s Air Series includes the company’s signature design, the triple-horn Air Motion system with its 12", 8" and 1.5" transducers, each loaded by a separate isometric conical horn.
The Airten is a two-transducer mid-high loudspeaker, featuring a fibreglass-Kevlar, twin-nacelle design. The Air Motion and Airten are complemented by Void’s Paraflex 640 and 360 low-frequency systems, which are designed to work in pairs for large system coverage of the entire low-frequency spectrum.
Continuing the theme of uniting sculptural aesthetics with technical innovation, the Waveform System comprises the Waveform 10 full-range system, constructed from a fibreglass-Kevlar composite, and the folded-horn Waveform S bass unit, which provides additional low-end weight down to 34Hz, for larger venues.
Void’s Stasys Series is a point source touring system, designed for medium venues to the largest-scale events. This series comprises the Stasys 3 V2 mid-high enclosure, incorporating Void’s unique Waveformer technology, and the Stasys 4 monitor, which is also designed for FOH deployment in smaller venues.
These units are complemented by the Stasys 8 horn-loaded sub, and the Stasys X wide-band horn-loaded sub, which uses five resonant chambers, extending the response down to 35Hz, and maximising both efficiency and long-throw projection.
For high-end arrayable touring system, Void’s answer is the Arcline System, which includes the Arcline 6 and Arcline Sub enclosures. With its construction utilising a curved baffle, to give its multiple transducers a common virtual feed point, the Arcline 6 array creates a consistent, cylindrical wa vefront. A typical system can be configured in minutes from two Arcline 6 enclosures, ground-flown on Void’s proprietary wind-up stand, mounted on top of four stacked Arcline Subs.
www.voidaudio.com




